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The Neon Demon takes a unique approach to the idea of the classic “Rags to Riches” tale.
The Neon Demon, though similar in a lot of ways to Only God Forgives, isn’t just merely a pretty video with no palpable story or substance to its name. Though Only God Forgives, the film that immediately preceded Neon Demon was rightfully so, considering its ostentatious nature and the overall pretentious self-indulgence it exudes. Nicholas Winding Refn’s Neon Demon is by far his most divisive work, even more so than the rest of his already polarizing filmography. However, eliminating the artistic value and appreciating it for what it is at face value, it’s a well-acted, well-shot, hilariously immersive experience. This unique blend of stylization and disorientation combined with the abstract plot makes for a truly sensorial journey that embraces Spring Break in all its hedonistic glory – from the good to the bad, from the pretty to the ugly.Īs with any other avant-garde films, especially with those with an inherently polarizing acclaim to begin with, it’s exceptionally difficult to pinpoint whether or not the film is garbage or art. Harmony Korine, a master in capturing hyperrealism, combines that same level of “trashiness” as in his earlier work, that hyperbolic sense of raw with stunning visuals with an amazing use of colours and light. Leaving aside discussion on the film’s nature as an allegorical satire, surprisingly enough, Spring Breakers still has a lot to offer on a surface level. The film, very blatantly a satire exposing the superficialities of the millennial generation, is essentially what you would get if you were to cross the pseudo-philosophical style of Terrence Malick with Andrea Arnold’s powerful portrayal of hedonism, though the film is distinctly better than Malick’s later works, possessing a clear vision presented to audiences in an abstract manner. The themes of love and image are surprisingly mature and well explored, with the final climax providing audience with a satisfying resolution to it all.Ī pure and visceral sensory experience detailing, as the title suggests, Spring Breakers follow a group of teenagers on Spring Break. Overall, considering this film’s mixed reception, general obscurity and the fact that the director hasn’t done anything notable aside from other forgettable bargain bin horror films, the film does bring a surprisingly high level of quality to the table. Every subsequent scene, no matter how tame, brings a sense of unease within the audience either through red herrings and subversions of horror tropes or the main actor’s amazing performance as a mentally disturbed individual with increasingly psychotic tendencies.
Her peculiar nature eventually led to misinterpretations of multiple situations which play a part in shaping and defining her unique character arc.ĭespite this film being a “horror” in the loosest sense of the genre, with no real jump scares or supernatural elements to it to whatsoever, the atmosphere of tension is established from the very first shot of the film, and it never relents from then.
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The film is a character study on a woman with little to no social skills with a literal skewed perception of the world and how to function in it. May is a film that manages to be distinct in a ridiculously oversaturated genre of film, and not just because of some weak gimmick. These are 10 films with under 70% on Rotten Tomatoes that are completely undeserving of that degrading treatment. Additionally, a bad Tomatometer score would not only psychologically affect a critic’s rating, often causing an even greater drop in score than the film rightfully deserves, but due to the site’s popularity and reputation, might even deter audiences from watching the film to begin with. More often than not, a polarizing film considered by many to be a masterpiece, would have an unfavorable Tomatometer score due to the fact that more mainstream, blockbuster-geared critics seen it as compared to those more attuned to the arthouse. The innate problem with this system is the differing tastes of critics.
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The much dreaded Tomatometer, though not indicative of a film’s quality as is iMDB’s rating system per se, but rather, the percentage of critics, professional ones at that, who enjoyed that particular film. contains backups of every video posted to the youtube channel.As far as online review aggregators for film goes, Rotten Tomatoes is perhaps the most revered, and has been for the last 20 years.
AMORES PERROS ROTTEN TOMATOES MOVIE
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